Print Fytu 2 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Gotham' by Hoefler & Co., 'Helvetica Now' by Monotype, 'TT Commons™️ Pro' by TypeType, and 'Body' by Zetafonts (names referenced only for comparison).
Keywords: posters, headlines, packaging, social media, signage, playful, casual, energetic, friendly, bold, handmade feel, attention grabbing, informal voice, poster impact, brushy, chunky, rounded, wobbly, textured edges.
A heavy, brushy handwritten italic with compact proportions and rounded, soft corners. Strokes are thick and fairly even, but with visible wobble and irregular terminals that suggest a marker or brush pen, creating a textured silhouette. Letterforms are simplified and chunky, with closed counters in several shapes and a buoyant baseline that contributes to a hand-drawn rhythm. Spacing appears deliberately uneven in small ways, reinforcing an informal, crafted look.
Best suited for short-to-medium display settings where a lively, informal tone is desirable, such as posters, event graphics, packaging callouts, and social media headlines. It can work well for sports, youth-oriented branding, food/truck signage, and punchy promotional copy that benefits from a hand-painted vibe. For longer passages, it will be most effective in larger sizes with generous line spacing to preserve clarity.
This typeface gives off an energetic, upbeat tone with a distinctly casual voice. Its lively slant and bouncy rhythm feel friendly and extroverted, leaning toward playful rather than formal. The rough, hand-made edges add a slightly gritty, streetwise flavor without becoming distressed or spooky.
The design appears intended to mimic bold hand-lettering made quickly with a brush or marker, prioritizing personality and impact over precision. Its strong slant and chunky mass aim to create momentum and immediacy, making text feel conversational and dynamic. The controlled irregularities are used to keep repeated letters from feeling mechanical.
The figures and capitals are especially blocky and attention-forward, while the lowercase keeps a slightly more handwritten bounce. The overall texture comes from uneven outer contours and terminal shapes rather than internal contrast, giving solid fill with a lively edge.