Sans Other Balor 10 is a regular weight, normal width, low contrast, reverse italic, tall x-height font.
Keywords: game ui, posters, headlines, branding, album art, digital, glitchy, tech, playful, edgy, glitch effect, digital texture, retro tech, display impact, pixelated, modular, chunky, angular, monolinear.
A modular, monolinear sans with angular construction and a deliberately pixel-fragmented edge. Strokes are built from squared segments with small square “bites” and stepped corners that create a broken, low-resolution silhouette. The letters lean slightly in a reverse-italic direction, with narrow joins, tight counters, and occasional open corners (notably in forms like C, S, and e) that emphasize its assembled-from-blocks feel. Overall spacing and widths vary by glyph, producing an irregular rhythm that reads as intentional digital distortion rather than geometric uniformity.
Best suited to display contexts where a stylized, screen-native texture is desirable: game UI elements, posters, titles, tech-event branding, album/cover art, and short punchy slogans. It can work for short paragraphs when set large with generous leading, but its fragmented detailing is most effective in headlines and highlighted interface text.
The font conveys a distinctly digital, glitch-inspired tone—part retro terminal, part cyberpunk interface. Its fragmented contours add a sense of motion, interference, and playful disruption, making text feel energetic and slightly unruly while still remaining legible at display sizes.
The design appears intended to mimic low-resolution or corrupted digital rendering while preserving recognizable letterforms. By combining modular strokes, reverse-leaning energy, and intentional edge fragmentation, it aims to deliver a contemporary “glitch” aesthetic with a retro-computing undertone.
Uppercase and lowercase share a consistent squared vocabulary, with simplified bowls and diagonals rendered as stepped segments. Numerals follow the same broken modular logic, and the design’s characteristic “notches” and micro-gaps become more apparent as size increases, where they act as a texture rather than noise.