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Free for Commercial Use

Sans Superellipse Ikbas 4 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Acumin' by Adobe, 'Ciston' by Aqeela Studio, 'Rice' by Font Kitchen, and 'PG Gothique' and 'PG Grotesque' by Paulo Goode (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, signage, punchy, playful, confident, friendly, retro, display impact, friendly boldness, retro signage, brand presence, blocky, rounded corners, bulky, compact counters, soft geometry.


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A heavy, rounded sans with a superellipse-driven skeleton: broad, rectangular proportions softened by large-radius corners and smooth curves. Strokes are consistently thick with minimal modulation, producing compact counters and sturdy joins. Curves in letters like C, G, O, and S feel more like rounded-rectangle arcs than true circles, while terminals are blunt and squared-off rather than tapered. Spacing appears generous for the weight, supporting big, high-impact setting without collapsing the interior spaces.

This font is best suited to large-scale display roles such as posters, headlines, titles, and bold brand marks where its rounded, blocky shapes can carry visual presence. It can also work well on packaging and signage, especially when a friendly, high-impact voice is desired. For longer passages or small sizes, the dense strokes and compact counters suggest using it sparingly or with ample size and spacing.

The overall tone is bold and approachable, with a playful, slightly retro poster sensibility. Its soft-cornered geometry reads friendly rather than aggressive, while the sheer mass and width project confidence and immediacy. The result feels suited to attention-grabbing statements and upbeat branding where warmth and impact need to coexist.

The design appears intended to deliver maximum impact with softened geometry: a wide, heavy voice that stays approachable through rounded-rectangle construction and blunt terminals. Its consistent stroke weight and compact interior spaces point to a display-first purpose, optimized for strong silhouettes and quick recognition.

Uppercase forms present a strong, billboard-like rhythm, and the lowercase keeps a similarly chunky texture with short ascenders/descenders relative to the weight, reinforcing a compact, blocky line. Numerals are equally heavy and rounded, matching the letterforms for consistent display use.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸