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Sans Faceted Rony 8 is a light, very wide, low contrast, upright, normal x-height font.

Keywords: branding, logotypes, headlines, posters, ui display, futuristic, techy, geometric, sleek, playful, futurism, tech branding, geometric system, distinctive display, modern signage, rounded corners, monoline, modular, open forms, angular joins.


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This typeface is a monoline sans built from smooth rectangular strokes and softened corners, with many curves resolved into crisp, planar segments. Bowls and counters tend toward squarish ovals, while joins and terminals often flatten into short horizontal cuts or angled transitions, giving the outlines a gently faceted feel. Spacing is relatively open and the drawing favors airy interior counters, helping the thin stroke maintain clarity despite the wide letterforms. Uppercase construction is clean and architectural, while the lowercase keeps the same modular logic with simplified, single-storey forms and streamlined descenders.

It suits technology-oriented branding, product naming, and logotypes where a geometric, engineered voice is desired. The clean monoline drawing works well for headlines, posters, packaging, and interface labels at larger sizes, where the faceted detailing can be appreciated. For paragraphs, it functions best in short bursts—taglines, calls to action, and navigation—paired with a more neutral text face.

The overall tone reads contemporary and forward-looking, combining a sci‑fi control-panel vibe with a friendly smoothness from the rounded geometry. Its faceted transitions add a subtle engineered character, making it feel digital and designed rather than neutral. The effect is modern and slightly playful, more expressive than a conventional grotesk without becoming decorative script-like.

The design appears intended to merge a geometric sans foundation with a controlled faceted treatment, producing a distinctive futuristic texture while staying legible and systematic. By keeping strokes uniform and corners rounded, it balances sharp, technical structure with approachability for contemporary display typography.

Distinctive silhouettes come from flattened curves and occasional pointed junctions (notably in diagonals and converging strokes), which create a consistent rhythm across letters and numerals. The numerals follow the same rounded-rectilinear logic, with open, spacious counters that suit display sizes. In longer text the wide proportions and stylized joins become a defining texture, so line length and tracking may need adjustment for comfortable reading.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸