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Free for Commercial Use

Blackletter Ebvi 14 is a regular weight, narrow, medium contrast, upright, normal x-height font.

Keywords: headlines, posters, logos, packaging, editorial, medieval, gothic, dramatic, formal, authoritative, heritage, ceremony, impact, period tone, authority, angular, faceted, sharp, broken strokes, chiseled.


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This typeface is built from broken, angular strokes with pointed terminals and faceted joins that evoke a cut or chiseled tool. Vertical stems dominate, with compact counters and small interior apertures, while diagonals appear as crisp, segmented forms rather than smooth curves. Stroke modulation is present but controlled, creating a firm rhythm without delicate hairlines. Capitals are tall and structured with pronounced notches and occasional spur-like projections, while lowercase forms keep a tight, upright texture; the x-height reads moderate, with ascenders contributing strongly to the overall verticality. Numerals follow the same fractured construction, maintaining the sharp, carved character across the set.

Best suited to display settings such as headlines, posters, logotypes, and brand marks where the historic texture can be appreciated. It also works well for packaging and editorial features that aim for a traditional or gothic atmosphere, and for short inscriptions or title treatments rather than extended small-size reading.

The overall tone is historic and ceremonial, with a stern, old-world presence that reads as traditional and commanding. Its crisp angles and dense texture suggest craftsmanship and ritual—more proclamation than conversation—making it feel dramatic and slightly austere.

The design appears intended to deliver a classic blackletter voice with crisp, carved geometry—prioritizing atmosphere and period character over neutrality. Its consistent broken-stroke construction suggests a focus on impactful display typography that signals tradition, authority, and heritage.

In text, the letterforms create a dark, continuous pattern with frequent vertical repetition and tight openings, so spacing and size will strongly influence legibility. Several glyphs show distinctive blackletter-style construction (broken bowls, hooked shoulders, and wedge-like feet), giving the design a consistent medieval texture across uppercase, lowercase, and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸