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Free for Commercial Use

Solid Ipge 12 is a very bold, very narrow, medium contrast, italic, short x-height font.

Keywords: posters, album art, streetwear, headlines, logos, graffiti, chaotic, loud, edgy, playful, impact, handmade, street style, texture, attitude, brushy, blobby, inky, compressed, slanted.


Free for commercial use
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A dense, brush-like display face built from compact, slanted strokes with blobby terminals and uneven contours. Letters lean consistently and feel pressure-driven, with chunky joins and frequent stroke fusion; many counters and interior spaces collapse into solid forms, creating a silhouette-first reading. Proportions are tightly compressed with a jittery rhythm, and the outlines show intentional irregularity—nicks, bulges, and abrupt angle changes—more like a fast paint marker than a constructed type system. Numerals follow the same inky, compact logic, prioritizing mass and gesture over crisp internal separation.

Well suited to high-impact display settings such as posters, event flyers, album/mixtape art, streetwear branding, and punchy headlines where an aggressive, marker-brush texture is desired. It can also work for short logos or wordmarks when the goal is a bold, hand-drawn signature, but it’s less appropriate for long passages or small UI text due to the intentionally collapsed counters.

The overall tone is loud and energetic, with a street-art, tag-like attitude and a mischievous roughness. It reads as expressive and rebellious rather than refined, delivering a punchy, handmade feel that suggests speed, impact, and a bit of controlled chaos.

The design appears intended to emulate fast, heavy brush or paint-marker lettering with a compressed, forward-leaning stance. Its emphasis on solid silhouettes and irregular stroke edges suggests a deliberate move toward raw, expressive texture and maximum visual weight over conventional readability.

At text sizes the heavy fill and collapsed interiors reduce character distinction, especially in sequences with similar silhouettes; spacing and word shapes do much of the work. It performs best when given room to breathe and when contrast relies on scale, color, or background rather than fine detail.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸