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Free for Commercial Use

Serif Other Umpe 6 is a very bold, normal width, monoline, upright, tall x-height font visually similar to 'Lobby Card JNL' by Jeff Levine, 'Evanston Alehouse' by Kimmy Design, 'Volcano' by Match & Kerosene, 'Black Corps' by Pixesia Studio, 'Octin College' by Typodermic, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, signage, sports branding, packaging, collegiate, western, retro, assertive, rugged, impact, heritage feel, sign lettering, brand stamp, display clarity, octagonal, chamfered, stencil-like, notched, angular.


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A very heavy, upright display serif built from straight, monoline strokes and sharply chamfered corners. The forms are predominantly rectangular and octagonal, with frequent notches and small cut-ins that create a subtly stencil-like texture, especially visible in the bowls and joins. Serifs read as blocky wedges and flares rather than delicate brackets, reinforcing a carved, sign-painter feel. Counters are compact and geometric, and the overall rhythm is tight and high-impact, with a tall lowercase that keeps mixed-case settings visually dense and even.

This font performs best in large sizes where its notches, chamfers, and wedge serifs can read clearly—headlines, posters, signage, team or club marks, and bold packaging typography. It can work for short subheads or pull quotes, but the dense counters and strong ornamented geometry make it less suited to extended body text.

The tone is bold and declarative, evoking collegiate lettering and old poster or saloon-sign aesthetics. Its hard angles and notched details add a rugged, industrial edge, giving headlines a confident, no-nonsense presence with a retro flavor.

The design appears intended to deliver maximum impact with a geometric, chiseled serif voice—combining sturdy proportions, angular terminals, and decorative cut-ins to suggest heritage display lettering while remaining clean and highly structured.

Uppercase characters maintain a consistent, squared-off construction, while lowercase introduces more distinctive silhouettes (notably single-storey forms and boxy bowls) that keep the style cohesive. Numerals follow the same chamfered geometry for strong consistency across branding and titling.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸