Cursive Uflab 15 is a regular weight, normal width, high contrast, italic, very short x-height font.
Keywords: invitations, branding, logotypes, headlines, packaging, elegant, romantic, classic, personal, lively, brush lettering, signature look, decorative caps, premium tone, expressive display, brushy, calligraphic, looping, slanted, flourished.
A slanted, calligraphic script with a brush-pen feel and pronounced thick–thin modulation. Letterforms are narrow-to-open in rhythm with frequent entry/exit strokes, long ascenders and descenders, and occasional looped constructions that add movement. Capitals are more decorative, featuring sweeping curves and gentle swashes, while lowercase maintains a fluid, semi-connected cadence with compact counters and a light baseline bounce. Numerals follow the same handwritten logic, mixing smooth curves with tapered terminals for a cohesive texture in text.
This font fits best in short-to-medium display settings such as invitations, greeting cards, product packaging, boutique branding, and headline treatments where its contrast and flourishes can be appreciated. It also works well for signature-style accents and pull quotes, especially when paired with a restrained serif or sans for supporting text.
The overall tone is refined and expressive, balancing informal handwriting warmth with a polished, lettered look. Its lively contrast and graceful curves suggest a romantic, boutique sensibility suited to names, quotes, and celebratory messaging.
The design appears intended to emulate confident brush lettering with an elegant, italicized flow, offering a personable script voice that still reads as curated and premium. Its decorative capitals and sweeping connections aim to create strong visual personality for names and key phrases.
Stroke endings tend to taper like a flexible nib, and the joining behavior varies—some pairs connect smoothly while others lift slightly—reinforcing an organic, hand-drawn authenticity. Spacing appears generous enough for display use, but the small lowercase proportions and intricate joins can make dense copy feel busy at small sizes.