Sans Superellipse Dukih 2 is a regular weight, normal width, low contrast, upright, tall x-height font.
Keywords: branding, posters, packaging, headlines, ui display, techy, industrial, playful, futuristic, utilitarian, digital aesthetic, geometric clarity, modern branding, constructed forms, squared, rounded corners, angular, monoline, modular.
A monoline sans with a modular, rounded-rectangle construction and crisp, chamfered corners. Curves are largely replaced by straight segments and gentle corner rounding, producing squarish bowls and a slightly faceted silhouette. Strokes keep an even thickness with minimal modulation, while terminals tend to be flat and clean. Proportions feel compact and tall in the lowercase, with open counters and simplified joins that maintain clarity across sizes.
Best suited to display contexts where its squared, modular geometry can be a recognizable part of the visual identity—logos, tech or gaming branding, packaging, and poster headlines. It can also work for UI labels and dashboards when a distinctive, device-like tone is desired, especially at medium to large sizes where the corner details stay clear.
The overall tone is tech-forward and industrial, with a light, game-like edge thanks to the geometric squareness and clipped angles. It reads as engineered and systematic rather than humanist, projecting a futuristic, digital-signage personality without becoming overly aggressive.
The design appears intended to translate rounded-rectangle geometry into a practical sans for contemporary use, balancing a constructed, digital aesthetic with readable spacing and straightforward letterforms. Its clipped corners and squared curves aim to create a distinctive voice for modern, technology-adjacent layouts while retaining clean typographic discipline.
Many glyphs show deliberate corner cutting and off-square angles that create a subtle forward energy and a distinctive texture in running text. Rounded-rectangle zeros and squared bowls give numerals and capitals a cohesive, device-like feel, while the lowercase maintains a slightly quirky rhythm that keeps the design from feeling purely rigid.