Sans Superellipse Fibod 8 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Gltp Starion' by Glowtype, 'RBNo3.1' by René Bieder, and 'Nova Pro' by XdCreative (names referenced only for comparison).
Keywords: headlines, posters, sports branding, tech branding, packaging, sporty, techy, assertive, dynamic, modern, impact, speed, modernity, branding, slanted, compact apertures, rounded corners, blocky, geometric.
A heavy, forward-slanted sans with broad proportions and compact internal spaces. Strokes are uniformly weighty with minimal contrast, and terminals are cleanly cut with subtly rounded corners that give the shapes a superelliptical, rounded-rectangle feel. Curves are taut and controlled, counters are small for the weight, and joins stay crisp, producing a dense, high-impact texture in words and lines. Numerals follow the same sturdy, slightly squared curvature, keeping rhythm consistent across text and figures.
Best suited to large sizes where its mass and slant read as energetic and intentional—headlines, posters, promotional graphics, sports or performance branding, and bold packaging callouts. It can also work for short UI labels or signage when a compact, high-impact voice is desired, but long-form text may feel visually heavy due to the tight counters.
The overall tone is fast, forceful, and contemporary, with a strong sense of motion from the pronounced slant. Its chunky geometry and rounded-square curves lean toward a sporty, industrial-tech voice rather than a soft or delicate one.
Likely designed to deliver maximum impact with a streamlined, geometric construction: wide letterforms for presence, a pronounced slant for speed, and rounded-square shaping to keep the boldness feeling controlled and modern.
In the sample text, the combination of wide letters and very heavy strokes creates strong headline presence, while the tight apertures and compressed counters can make long passages feel dense. The design maintains a consistent, engineered feel across uppercase, lowercase, and numerals, with a noticeable emphasis on angular cuts paired with rounded outer corners.