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Free for Commercial Use

Cursive Okgep 2 is a very light, very narrow, low contrast, italic, very short x-height font.

Keywords: personal branding, packaging, greeting cards, quotes, social graphics, airy, friendly, casual, playful, delicate, handwritten warmth, light elegance, everyday notes, compact display, monoline, looping, tall ascenders, open counters, bouncy baseline.


Free for commercial use
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This font has a fine, monoline handwritten look with a gentle rightward slant and a springy, irregular rhythm. Letterforms are compact and narrow with tall ascenders and long, slightly whiplike descenders that add vertical emphasis. Strokes stay consistently thin, with rounded joins, occasional looped entrances/exits, and a lightly inconsistent baseline that reinforces the natural pen-written character. The overall color on the page is light and open, with generous counters and simplified, single-stroke constructions in many glyphs.

It suits short to medium text where a personal, handwritten tone is desirable—such as personal branding, packaging accents, invitations, greeting cards, quote graphics, and lifestyle/social content. It works especially well for headers, names, and callouts where its narrow, airy texture can stay legible at moderate sizes.

The tone is informal and personable—like quick, neat note-taking or a friendly card inscription. Its light touch and looping terminals give it a soft, approachable feel, while the tall, narrow proportions keep it tidy and understated rather than bold or flashy.

The design appears intended to simulate a refined everyday handwriting style: quick, fluid, and lightly looped, with consistent thin strokes and a clean, narrow footprint. The goal seems to balance casual warmth with enough regularity to remain readable in display and short-text settings.

Uppercase forms read as simple, handwritten caps with occasional flourish (notably in letters with loops like B, G, J, and Q), while lowercase maintains a loosely connected cursive logic with frequent but not mandatory joining. Numerals are slender and handwritten, matching the same thin stroke and casual pacing, and punctuation in the samples sits lightly without heavy emphasis.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸