Sans Other Kegum 3 is a regular weight, narrow, medium contrast, upright, short x-height font.
Keywords: posters, packaging, kids media, event flyers, social graphics, playful, hand-cut, quirky, casual, lively, human warmth, informality, diy character, friendly display, wobbly baseline, irregular geometry, angular curves, ink-like, tapered joins.
A quirky, hand-made sans with irregular geometry and a slightly wobbly rhythm. Strokes are mostly monolinear but show subtle, organic modulation and occasional tapered terminals, giving the letters a cut-paper/marker feel rather than a rigid constructed look. Curves are simplified and often slightly angular, with asymmetries and varied proportions between glyphs; counters stay open and legible while the overall spacing feels intentionally loose and uneven for character. Uppercase forms are tall and compact with playful inconsistencies, while lowercase shows more bounce and occasional loopier gestures in letters like g and y; figures follow the same casual, hand-drawn logic.
Best suited to display use where personality is the goal: posters, headlines, packaging, labels, and promotional graphics. It can work well for children’s content, casual brands, and event materials where an approachable, handmade tone helps. For longer reading or small UI sizes, it’s likely most effective in short bursts (titles, pull quotes, and badges) rather than body text.
The font reads friendly and mischievous, with a crafty, DIY energy. Its uneven cadence and lively shapes suggest informality and humor—more “human” than technical—making text feel conversational and approachable.
The design intention appears to be a personable, handmade sans that preserves clear letter identities while introducing intentional wobble and irregular construction. It aims to feel spontaneous and crafted—like quick lettering or cut shapes—without leaning into formal calligraphy or serif conventions.
The design relies on deliberate irregularities (slight tilts, varied stem widths, and non-uniform joins) to create personality; this same texture can become visually busy in long passages. Rounded letters like o/e keep a soft feel, while diagonals and kinked curves in k/w/x add snap and spontaneity.