Inline Ehku 3 is a regular weight, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, signage, packaging, art deco, neon, retro, showcard, playful, display impact, retro signaling, signage feel, decorative clarity, geometric, monoline, outlined, double-line, rounded.
A geometric, monoline sans built from an outlined silhouette with a consistent inline channel running through each stroke, creating a crisp double-line effect. Curves are smooth and near-circular (notably in C, G, O, Q, and numerals), while straight strokes stay clean and parallel, giving the design a precise, engineered rhythm. Terminals are generally squared-off and the counters are open and uncomplicated, keeping forms legible even with the internal striping. The overall construction feels uniform and systematic, with steady stroke behavior across uppercase, lowercase, and figures.
Best suited to headlines, posters, logotypes, and branding moments where the inline detailing can read clearly. It works particularly well for signage, event graphics, packaging accents, and editorial display settings that benefit from a retro, neon-adjacent voice. Pair with a simple solid sans for supporting text to keep hierarchy clean.
The inline cut gives the face a lit-from-within, marquee-like character that reads as vintage and display-forward. It evokes Art Deco signage and retro packaging, with a lively, decorative tone that feels energetic without becoming chaotic. The look is confident and graphic, leaning toward entertainment and nightlife aesthetics.
The design appears intended to translate classic geometric sans proportions into a decorative inline treatment that adds depth and sparkle while preserving straightforward letterforms. Its consistent construction suggests a focus on repeatable, sign-painterly rhythm and strong visual presence in short phrases.
The inline channel maintains consistent spacing through joins and curves, producing a strong sense of continuity across the alphabet. At larger sizes the double-line detailing becomes a defining feature, while at smaller sizes the internal striping may visually merge, making it best treated as a display style rather than a text workhorse.