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Free for Commercial Use

Blackletter Ofwe 7 is a very bold, narrow, monoline, upright, tall x-height font visually similar to 'Shtozer' by Pepper Type, 'Motte' by TypeClassHeroes, and 'Ravenda' by Typehand Studio (names referenced only for comparison).

Keywords: posters, headlines, logotypes, album covers, packaging, gothic, industrial, posterlike, dramatic, retro, modern blackletter, stencil styling, high impact, distinct texture, display focus, stencil cut, notched, rounded corners, vertical stress, high contrast spacing.


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A compact, display-oriented letterform built from thick, uniform strokes with pronounced vertical emphasis. Counters and joins are carved into the black mass through repeated vertical slits and small notches, giving many glyphs a segmented, stencil-cut construction. Terminals are generally rounded rather than sharp, softening the silhouettes while keeping the overall texture dense and high-impact. The rhythm is consistent and tightly spaced, producing a strong, dark typographic color with clear modular repetition across the alphabet and figures.

Best used for large-scale applications such as posters, headlines, title treatments, and logo wordmarks where the internal cut details can be appreciated. It can also work well on packaging and album or event graphics that benefit from a dark, gothic-industrial texture. For continuous reading, it is likely strongest in short bursts like pull quotes or section headers.

The font projects a gothic, theatrical mood with a mechanized edge, blending medieval signpainting cues with a modern stencil sensibility. Its heavy presence and cut-in details feel dramatic and slightly enigmatic, suited to designs that want assertiveness and attitude rather than neutrality.

The design appears intended to reinterpret blackletter traditions through a simplified, monolithic construction, using stencil-like splits and rounded terminals to create a distinctive, contemporary display voice. The goal seems to be maximum impact and recognizable texture while maintaining consistent stroke weight and a tight, vertical cadence.

The repeated interior splits become a defining motif that helps differentiate otherwise blocky shapes at display sizes, but also creates a busier texture that will intensify in longer passages. The rounded corners and generous black area make it read as bold and approachable despite the blackletter-inspired structure.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸