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Distressed Rakuw 2 is a very bold, normal width, high contrast, upright, tall x-height font visually similar to 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'Helvetica Now' by Monotype, 'Europa Grotesk No. 2 SB' and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection, and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, packaging, headline, stickers, merch, rugged, playful, handmade, gritty, retro, display impact, vintage texture, handmade feel, brand voice, rounded, stamped, chunky, weathered, blunted.


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A heavy, rounded sans with chunky, blunted terminals and compact counters that stay open despite the dense weight. Strokes show deliberate roughness: irregular edges, small chips, and speckled voids suggest worn ink or distressed printing rather than smooth vector geometry. Proportions are broadly even, with a tall lowercase set and simple, single-storey forms that keep the silhouette bold and legible. The overall rhythm feels slightly uneven in a natural, hand-pressed way, while maintaining consistent stem thickness and straightforward construction across letters and figures.

Works best for short, high-impact text such as posters, product packaging, labels, event promos, stickers, and merchandise graphics where the distressed texture can be appreciated. It can also support bold subheads or callouts when paired with a cleaner companion for body copy.

The texture and softened geometry give a friendly toughness—part vintage sign paint, part rubber-stamp grit. It reads energetic and informal, with a DIY character that feels lively rather than severe, suited to designs that want immediacy and attitude.

Likely designed to provide an all-caps-and-lowercase display voice that combines sturdy, approachable letterforms with a pre-worn print texture. The goal appears to be immediate visual presence with a tactile, imperfect finish that evokes analog production methods.

The distressing appears as both edge wear and scattered interior speckling, which will become more prominent at larger sizes and on light backgrounds. Rounded corners and broad joins help prevent the texture from compromising recognition in shorter words and headlines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸