Sans Faceted Abdib 3 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Mono Spec' by Halbfett; 'Monorama' by Indian Type Foundry; 'Brave Brigade' by Invasi Studio; 'Realtime Rounded', 'Realtime Text', and 'Realtime Text Rounded' by Juri Zaech; and 'Charles Wright' by K-Type (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports branding, industrial, sporty, techy, assertive, arcade, impact, legibility, mechanical tone, geometric styling, brand voice, chamfered, angular, geometric, high-contrast edges, blocky.
A compact, block-built display sans with sharply chamfered corners and planar cuts that replace curves with faceted geometry. Strokes are consistently heavy with a largely monoline feel, producing strong, even texture in words. Counters tend toward octagonal and rectangular shapes, and terminals are square or diagonally clipped, creating a crisp, mechanical rhythm. Uppercase forms are wide-shouldered and sturdy, while lowercase maintains similar angular construction and a slightly condensed, utilitarian presence; numerals follow the same cut-corner logic for a unified set.
Best suited to display contexts where the faceted silhouettes can read clearly—headlines, posters, team or sports branding, product packaging, and logo wordmarks. It also works well for UI headers, signage, and labels that benefit from a rugged, technical voice, especially when set with generous tracking or at larger sizes.
The overall tone is forceful and engineered, with a sporty, industrial edge that reads as modern and hard-edged rather than friendly. Its faceted construction evokes machinery, tactical labeling, and arcade/retro-tech aesthetics, giving text an assertive, no-nonsense character.
The design appears intended to translate a geometric, cut-metal aesthetic into a practical, readable display sans. By standardizing chamfers and facets across uppercase, lowercase, and numerals, it aims to deliver a consistent, high-impact look for branding and titling where angular construction is part of the message.
The repeated diagonal notches and clipped joints create a distinctive silhouette at larger sizes, while the heavy weight and tight interior shapes can make counters feel compact in dense settings. The punctuation shown (e.g., colon, apostrophe, ampersand, question mark) follows the same squared, angular language, helping mixed-case copy and headlines stay visually coherent.