Sans Superellipse Esliz 3 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Isotonic' by Emtype Foundry, 'Plexes Pro' by Monotype, 'Metronic Pro' by Mostardesign, 'Core Sans M' by S-Core, 'Nauman Neue' by The Northern Block, and 'Robusta' by Tilde (names referenced only for comparison).
Keywords: branding, headlines, posters, sports, technology, sporty, dynamic, techy, modern, friendly, motion, modernization, display impact, approachability, rounded, superelliptical, oblique, compact, streamlined.
A rounded, superelliptical sans with an oblique construction and smooth, low-contrast strokes. Terminals are softly squared-off rather than sharply cut, and curves resolve into rounded-rectangle bowls, giving forms like C, O, and D a sleek, engineered feel. Uppercase shapes are slightly condensed and forward-leaning, with simplified joins and minimal modulation; the lowercase keeps the same geometry with compact apertures and tidy counters. Numerals follow the same softened-rectangular logic, with clear, sturdy forms designed to hold up at display sizes.
This face suits branding systems that want a modern, motion-forward voice, as well as headlines, posters, and promotional graphics where the slanted stance adds urgency. It also fits sports and tech contexts—app splash screens, product packaging, event graphics, and display typography—where rounded geometry can balance speed with friendliness.
The overall tone feels energetic and contemporary—fast, sporty, and slightly futuristic—while the rounded geometry keeps it approachable rather than aggressive. Its consistent slant and streamlined shapes suggest motion and efficiency, making it read as modern and purpose-built.
The font appears designed to merge a technical, superelliptical construction with the immediacy of an oblique stance, creating a display-friendly sans that reads as fast and contemporary while remaining smooth and inviting.
The design relies on repetition of a few core shapes (rounded rectangles and smooth diagonals), producing a coherent texture across letters and figures. The forward slant is pronounced enough to signal emphasis even without weight change, and the compact inner spaces lend a dense, punchy rhythm in headlines.