Sans Other Efdij 2 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Faculty' by Device, 'Americane Condensed' by HVD Fonts, 'Cuanky' by Kereatype, 'Hanz' by Santi Rey, and 'Eastman Condensed' and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, logos, sporty, energetic, retro, punchy, playful, impact, motion, display, branding, nostalgia, slanted, rounded, compact, blocky, high-impact.
A heavy, slanted sans with compact proportions and rounded, swelling curves that create a soft yet forceful silhouette. Strokes are largely uniform, with minimal contrast and broad terminals that feel cut or slightly tapered, giving many letters a chunky wedge-like finish. Counters are tight and apertures are small, producing dense color in text, while the overall rhythm stays consistent across caps, lowercase, and numerals. The figures are sturdy and simplified, matching the letterforms’ bold, compressed stance.
Best suited to short, high-impact settings such as headlines, posters, and promotional graphics where dense, bold letterforms are an advantage. It also fits sports-themed branding, product packaging, and logo wordmarks that want a retro, action-forward feel. For longer passages, it works most comfortably at larger sizes with added spacing to preserve clarity.
The tone reads energetic and extroverted, with a sporty, vintage-leaning attitude reminiscent of classic display lettering. Its exaggerated weight and forward slant add momentum and urgency, while the rounded shapes keep it friendly rather than aggressive. Overall it feels built for impact, headlines, and upbeat branding.
The design appears intended as a display-driven sans that combines a forward-leaning stance with rounded, compact forms to maximize punch and immediacy. It aims to deliver a cohesive, high-energy texture across letters and numerals, prioritizing visual impact and momentum over delicate detail.
The slant and compact spacing create a strong directional flow in lines of text, and the tight internal spaces mean the face benefits from generous tracking at smaller sizes. Round letters like O/C/S lean toward soft, inflated forms, while diagonals and joins (as in K, M, N, V, W) emphasize sharp, angular movement within the otherwise rounded construction.