Sans Superellipse Okmab 7 is a bold, normal width, monoline, upright, normal x-height, monospaced font visually similar to 'Plaquette' by FaceType, 'Fabrikat Mono' by HVD Fonts, 'Antiquel' by Lemonthe, and 'Karben 105 Mono' and 'Karben 205 Mono' by Talbot Type (names referenced only for comparison).
Keywords: code ui, terminal ui, labels, signage, packaging, utilitarian, technical, industrial, retro, functional, readability, system ui, durability, clarity, consistency, rounded corners, squared curves, boxy, compact, high contrast (shape).
A heavy, monoline sans built from rounded-rectangle geometry, with corners consistently softened into a superelliptical feel. Strokes are uniform and sturdy, producing compact counters and a strong, even color in text. Curves on letters like C, G, and S read as squared-off rounds rather than true circles, and terminals tend to be blunt with rounded edges. The lowercase follows a single-storey construction (notably a and g) with short, blocky joins and a straightforward, engineered rhythm across the set.
This design suits interfaces and layouts that benefit from rigid alignment and strong legibility, such as coding/terminal environments, UI readouts, and technical dashboards. Its dense, high-ink silhouette also works well for labels, wayfinding, packaging, and other applications where text must remain clear under small sizes, low resolution, or printing constraints.
The overall tone is practical and machine-like, with a hint of retro computing and industrial labeling. Its squared curves and dense presence feel direct and no-nonsense, prioritizing clarity and impact over warmth or calligraphic nuance.
The font appears designed to deliver a robust, systemlike voice using a disciplined rounded-rectangle construction, balancing friendliness from softened corners with the efficiency of squared curves. It aims for consistent rhythm and predictable forms that feel engineered and dependable in continuous text and tabular settings.
Numerals echo the same rounded-rectangle logic, staying wide and stable with minimal modulation; the “1” is especially simple and upright. The sample text shows consistent spacing and a steady horizontal cadence, giving paragraphs a uniform, gridlike texture.