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Free for Commercial Use

Sans Superellipse Pibuh 9 is a bold, narrow, monoline, upright, tall x-height font visually similar to 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, industrial, techy, condensed, assertive, retro-futuristic, impact, modern utility, distinct identity, space-saving, rounded corners, square-oval, blocky, stencil-like, compact.


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A condensed, heavy sans with uniform stroke weight and a geometry built from rounded rectangles and squared-off curves. Corners are consistently softened, while interior counters tend to be boxy and tightly controlled, producing a crisp, machined rhythm. Curved letters like C, G, O, and Q read as superellipse-like forms rather than true circles, and the overall proportions emphasize verticality with compact widths. Terminals are mostly flat and blunt, with occasional notches and cut-in joins that add a slightly stencil-like, engineered feel.

This face is well-suited to headlines, posters, and short emphatic copy where a compact, high-impact texture is desired. It can work effectively for branding and packaging that aim for an industrial or tech-leaning personality, and it reads clearly for signage-style applications when set with adequate size and spacing.

The tone is utilitarian and forceful, with a technical, industrial confidence. Its rounded-square geometry suggests modern manufacturing or digital interfaces, while the condensed stance adds urgency and authority. The overall impression leans retro-futuristic—clean and systematic, but with enough quirks to feel distinctive rather than neutral.

The likely intention is to create a condensed, high-contrast-in-presence sans that feels engineered and contemporary, using rounded-rectangle construction to deliver a recognizable, systematized look. The design balances friendliness from softened corners with authority from dense proportions and blunt terminals, targeting display-driven communication.

Uppercase and lowercase share a unified, modular construction, and the numerals follow the same rounded-rectangle logic for a cohesive palette. Spacing and sidebearings appear tight and efficient, reinforcing the compact texture in text. The design’s distinctive details show most strongly at display sizes, where the squared counters and softened corners become a clear signature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸