Sans Faceted Here 2 is a light, very narrow, monoline, upright, normal x-height font.
Keywords: display, headlines, posters, branding, wayfinding, technical, futuristic, architectural, precise, minimal, space-saving, tech aesthetic, geometric consistency, display impact, modular construction, geometric, angular, octagonal, condensed, linear.
A condensed, monoline sans with a distinctly faceted construction: curves are reduced to short, straight segments that create octagonal counters and clipped terminals. Strokes keep an even thickness throughout, with crisp joins and a clean, engineered rhythm. Proportions are tall and narrow, with compact bowls and tight interior spaces that read as geometric apertures rather than soft curves. The lowercase is similarly narrow and structural, with simple forms and minimal contrast; numerals and capitals echo the same chamfered, planar logic for a consistent set.
This font is well suited to display roles where its faceted geometry can be appreciated—headlines, posters, and brand marks with a technical or forward-looking identity. It can also work for short UI labels, packaging callouts, and wayfinding-style graphics where a narrow footprint is helpful. For longer text, larger sizes and generous spacing help preserve clarity.
The overall tone feels technical and futuristic, like lettering designed for instrumentation, signage, or sci‑fi interfaces. Its sharp corners and clipped arcs convey precision and control, while the narrow width adds an efficient, space-conscious character. The faceting gives a subtle retro-digital flavor without becoming overtly pixel-like.
The design appears intended to translate a geometric sans into a planar, chamfered vocabulary, prioritizing consistency of angle and stroke over smooth curvature. It aims for a modern, engineered look that remains simple and economical while still feeling distinctive in titles and identity work.
The segmented outlines make rounded letters (such as O/C/G/Q and 0/8/9) appear intentionally machined, and the repeating chamfer angles create a strong pattern in running text. Because the counters are relatively tight and the construction is angular, the design reads best when given enough size or contrast to keep the interior shapes open.