Slab Normal Omby 3 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'APN Ggantija' by Alphabets Patrick Nell, 'Marek Slab' by Rosario Nocera, 'Bubpop' by SAMUEL DESIGN, 'Kulturista' by Suitcase Type Foundry, and 'Paul Slab' and 'Paul Slab Soft' by artill (names referenced only for comparison).
Keywords: posters, headlines, signage, packaging, logos, sturdy, friendly, retro, playful, robust, impact, approachability, vintage tone, display clarity, print solidity, rounded slabs, soft corners, chunky, compact counters, ink-trap feel.
A heavy, display-oriented slab serif with broad proportions and softly rounded terminals. The letters are built from thick, even strokes with minimal modulation, and the serifs read as bold, blocky slabs that often blend into the stems with curved joins. Counters are relatively compact, giving the forms a dense, poster-friendly color, while subtle notches and softened corners add an inked, slightly squishy finish. Numerals match the weight and breadth of the text, with simple, highly stable silhouettes.
Best suited for headlines, posters, signage, and packaging where high impact and a friendly, retro presence are desired. It can also work for short brand lines and logo wordmarks, especially in contexts that benefit from sturdy, soft-edged slab character rather than crisp neutrality.
The overall tone is confident and approachable, combining a workmanlike sturdiness with a cheerful, vintage flavor. Its rounded slabs and dense rhythm feel warm and informal, suggesting classic signage and bold print ephemera rather than sharp editorial refinement.
The design appears intended to deliver maximum punch with a welcoming, vintage-leaning slab serif voice. Its softened corners and chunky serifs suggest a practical, print-minded approach aimed at clear, bold display typography.
The type shows strong consistency across uppercase, lowercase, and figures, with generous weight that favors impact over fine detail. Rounded transitions and thick serifs help maintain clarity at larger sizes, while the tight interior spaces can feel heavy in long passages.