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Free for Commercial Use

Serif Normal Otrud 8 is a very bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Nitida Big', 'Nitida Display', and 'Nitida Headline' by Monotype and 'P22 Platten Neu' by P22 Type Foundry (names referenced only for comparison).

Keywords: headlines, editorial, magazines, posters, book covers, dramatic, classic, formal, authoritative, prestige, impact, tradition, editorial voice, dramatic contrast, bracketed, vertical stress, ball terminals, tapered, sculpted.


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A sculpted serif with sharp thick–thin transitions and crisp, bracketed serifs. Strokes show strong vertical stress, with narrow hairlines and weighty stems that create a distinctly engraved, display-oriented rhythm. Counters tend to be compact and the joins are taut, while terminals often taper or finish in small, rounded balls, especially noticeable in letters like a, f, j, and y. The lowercase appears relatively compact with a moderate x-height, and the overall set feels slightly tight and dense at text sizes due to the heavy main strokes and fine internal details.

This typeface is best suited to headlines, decks, and other display roles where its contrast and sculpted serifs can be appreciated. It works well for magazine and newspaper-style editorial branding, book covers, cultural posters, and luxury or formal identities that need a traditional voice with high visual impact.

The tone is assertive and refined, combining a classical bookish heritage with a theatrical, headline-ready punch. Its glossy contrast and sharp finishing details read as upscale and editorial, with a hint of vintage sophistication rather than casual friendliness.

The design appears intended to deliver a classic serif voice with amplified contrast for attention and prestige. It prioritizes dramatic silhouette, refined detailing, and strong typographic texture over quiet, extended reading comfort at small sizes.

In the sample text, the font produces strong word shapes and a pronounced black-and-white pattern, so spacing and line length will noticeably affect texture. The numerals carry the same high-contrast logic and feel suited to being seen large, where the hairlines and tapered terminals have room to breathe.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸