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Free for Commercial Use

Sans Contrasted Ralut 5 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Macho' by Dada Studio, 'Trust Sans' by Lechuga Type, 'Mundo Sans' by Monotype, 'Anona' by Nova Type Foundry, 'Knedle' by Sudetype, and 'Conglomerate' by Typetanic Fonts (names referenced only for comparison).

Keywords: posters, headlines, packaging, branding, sports promos, playful, retro, punchy, friendly, comic, attention grab, retro feel, friendly tone, headline impact, rounded, soft corners, bulky, bouncy, slanted.


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A heavy, forward-leaning display face with compact, rounded forms and subtly irregular curves that create a buoyant rhythm. Strokes show noticeable modulation: thick vertical masses paired with tapered joins and angled terminals, producing a lively, cut-in silhouette rather than purely geometric shapes. Counters are relatively small and often teardrop-like, and many letters use chunky, simplified construction (especially in diagonals and bowls) that reads cleanly at headline sizes. The figures match the letters’ weight and stance, with bold, blocky shapes and simplified internal openings.

Best suited to bold headlines, short slogans, and high-impact display settings where its energetic slant and chunky forms can shine. It works well for packaging, promotional graphics, and brand marks that want a friendly retro punch, and it can add personality to subheads when given ample size and breathing room.

The overall tone is upbeat and informal, with a spirited slant and soft, swelling shapes that feel nostalgic and energetic. It suggests a mid-century poster or comic-ad sensibility—confident, attention-seeking, and approachable rather than technical or restrained.

The likely intent is a high-impact display italic that combines sans simplicity with expressive, modulated strokes to deliver strong shelf-and-poster presence. Its softened geometry and bouncy rhythm aim to feel inviting and fun while remaining legible at large sizes.

The design’s visual voice relies on broad black shapes and lively curvature, so spacing and texture feel more like a hand-cut display than a text face. The italic angle is consistent and helps maintain momentum across long runs of copy, while the pronounced mass can darken paragraphs quickly in smaller settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸