Sans Superellipse Emrun 3 is a regular weight, wide, monoline, italic, normal x-height font.
Keywords: headlines, logotypes, ui display, gaming, tech branding, futuristic, technical, sleek, sporty, digital, modernization, motion, systematic, approachability, tech aesthetic, rounded corners, soft terminals, superelliptical, geometric, oblique.
A streamlined oblique sans built from rounded-rectangle geometry, with monoline strokes and consistently softened corners. Curves tend to resolve into superelliptical bowls and squared-off counters, giving letters like O, D, and P a compact, rounded-box silhouette. Terminals are generally flat or gently rounded, and the italic slant is even and mechanical rather than calligraphic. Spacing and rhythm feel open and horizontal, with wide letterforms and clean, uniform stroke behavior across caps, lowercase, and numerals.
Best suited for display settings where its distinctive rounded-square skeleton and slanted stance can be read clearly—headlines, branding, posters, and product marks. It also fits UI-style titles, dashboards, and on-screen graphics where a clean, technical aesthetic is desired. For longer passages, it will be most effective at larger sizes and with generous tracking to preserve clarity.
The overall tone reads modern and engineered, evoking interfaces, transportation graphics, and tech product branding. Its rounded-square construction softens the sci‑fi/industrial feel, creating a friendly, controlled futurism rather than an aggressive one. The oblique angle adds motion and speed, reinforcing a performance-oriented voice.
The design appears intended to merge geometric clarity with a softened, superelliptical voice—delivering a futuristic, system-built look that still feels approachable. The consistent oblique angle suggests an emphasis on speed and forward motion, supporting contemporary tech and performance-oriented visual identities.
Several glyphs emphasize modular construction—bowls and arches often look like they’re built from consistent radiused segments, producing a cohesive system across the set. Numerals follow the same rounded-rect logic, with an especially geometric 0 and angular, forward-leaning figures that match the font’s kinetic posture.