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Free for Commercial Use

Sans Normal Tonez 1 is a regular weight, normal width, very high contrast, upright, normal x-height font visually similar to 'Magnat' and 'Neue Magnat Display' by René Bieder (names referenced only for comparison).

Keywords: headlines, editorial, magazine, branding, posters, fashion, luxury, dramatic, refined, display impact, luxury tone, modern sharpness, editorial voice, high-contrast, hairline, sharp, sculptural, calligraphic.


Free for commercial use
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This typeface combines robust, blocky main strokes with extremely fine hairlines, producing a striking high-contrast rhythm. Curves are smooth and tightly controlled, with round letters showing crisp transitions into thin connections and tapered terminals. Many glyphs feature razor-thin diagonal cuts and needle-like joins that introduce a subtly calligraphic, engraved feel without relying on overt ornament. Proportions feel relatively tall and display-oriented, with small counters in several letters and a mix of broad rounds and narrow verticals that creates an intentionally uneven, lively texture across a line.

It performs best in headlines, subheads, magazine settings, and brand marks where high contrast and sharp detailing can be appreciated. It is well suited to fashion, beauty, and cultural editorial design, as well as posters and high-end packaging where a dramatic typographic voice is desired.

The overall tone is polished and dramatic, with a couture/editorial sensibility. The stark contrast and delicate hairlines read as premium and refined, while the sharp cuts add a modern, slightly edgy sophistication.

The font appears intended as a display face that delivers a luxurious, high-impact look by pairing heavy verticals with whisper-thin connective strokes. Its cut-in diagonals and tapered joins suggest a goal of combining modern precision with a refined, crafted sharpness that stands out in short text and titling.

The design’s finest strokes become visually prominent in letters with diagonals and in the numerals, where thin entry/exit lines and sharp corners can dominate the silhouette. Spacing and letter-to-letter rhythm appear designed for impact at larger sizes, where the hairlines and cut details remain clearly resolved.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸