Stencil Gemo 3 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Myriad' by Adobe and 'Fact' by ParaType (names referenced only for comparison).
Keywords: posters, headlines, signage, packaging, wayfinding, industrial, military, mechanical, utilitarian, retro, stencil marking, industrial labeling, display impact, graphic texture, high-contrast cuts, angular, geometric, compact, blocky.
A heavy, monoline sans with compact proportions and clearly engineered stencil breaks throughout the alphabet. Strokes are mostly straight-sided with abrupt terminals, and round forms (C, O, Q, G) stay geometric while being split by vertical bridges that create a strong rhythm in text. Capitals read tall and rigid, while the lowercase maintains simple, upright structures with minimal modulation; the double-storey forms are avoided in favor of straightforward, workmanlike shapes. Numerals match the same cut-and-bridge logic, keeping counters open and silhouettes sturdy at display sizes.
Best suited to display applications where the stencil texture is meant to be seen—posters, headlines, product packaging, and bold branding. It also fits signage and wayfinding that aims for an industrial or utilitarian voice, and can be effective for short labels and UI headings when used at sufficiently large sizes.
The repeated stencil bridging gives the face a functional, no-nonsense tone associated with industrial labeling and military or shipping markings. Its crisp gaps and hard edges add a mechanical, engineered feel that can read both retro and tactical depending on context.
The design appears intended to translate classic stencil construction into a clean, modern sans with uniform stroke weight and consistent bridge placement. Its goal is legibility with a strong stamped/marked character, prioritizing bold silhouettes and a distinctive cut rhythm in text.
The stencil cuts are consistent and prominent enough to become a defining texture, especially in longer lines. Diagonal-heavy letters (K, M, N, V, W, X, Y) emphasize sharp angles, while circular letters balance the set with clean, segmented bowls.