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Free for Commercial Use

Serif Flared Potu 5 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Neilvard' by Arterfak Project, 'Madani' and 'Madani Arabic' by NamelaType, 'Hoxton Samuels' by Samuelstype, 'Morph' by TipoType, and 'Causten' by Trustha (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, book covers, assertive, classic, editorial, warm, robust, impact, heritage, authority, display, flared, bracketed, triangular serifs, ink-trap feel, compact apertures.


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A heavy, display-oriented serif with flared stroke endings and sharply cut, triangular serifs that give corners a chiseled look. Strokes are broadly even, with subtle modulation mostly expressed through swelling into the terminals and bracketing at joins. Counters are relatively compact and apertures are on the tighter side, producing a dense, punchy texture in text. The lowercase shows sturdy, rounded bowls and short, confident terminals, while the uppercase maintains wide proportions and strong vertical presence; figures match the same blocky, carved rhythm.

This font excels in headlines and short blocks of display text where its flared terminals and triangular serifs can register clearly. It’s a strong option for branding and packaging that needs a traditional-but-muscular presence, and it can anchor book covers or editorial openers that benefit from a weighty, classic voice.

The overall tone is bold and authoritative with a traditional, engraved flavor. Its crisp serifs and swelling terminals add a touch of heritage and ceremony, while the hefty color keeps it modern and attention-getting. The result feels confident, slightly dramatic, and well-suited to statements rather than whispers.

The design appears intended to combine old-style serif cues with a forceful display weight, using flared endings and crisp serif cuts to create a carved, authoritative silhouette. It prioritizes impact and character over delicate detail, aiming for a distinctive, memorable texture in larger sizes.

The design reads best when given room: the dense internal spaces and strong mass can close up at smaller sizes, while larger settings reveal the distinctive flared endings and crisp cuts. The punctuation and basic forms shown maintain the same solid, sculpted character as the letters, supporting a consistent headline voice.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸