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Groovy Urgo 2 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Muller Next' by Fontfabric, 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype, and 'PTL Highbus' by Primetype (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, album art, groovy, playful, retro, funky, cartoonish, attention grabbing, retro display, quirky texture, poster impact, soft corners, inflated, stumpy serifs, ink-trap notches, compact spacing.


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A heavy, condensed display face with chunky vertical stems and softly rounded shoulders. The letterforms show sculpted, hand-cut irregularities—small bite-like notches, pinched joins, and asymmetric counters—that create a lively, uneven rhythm without losing overall consistency. Terminals tend to be blunt and squared-off, with occasional stubby serif-like feet and top nubs that give the silhouettes a carved, blocky feel. Counters are tight and often off-center, and punctuation adopts the same thick, compact, cutout construction.

Best suited to short, high-impact settings such as posters, headlines, logo wordmarks, and packaging where its bold silhouettes can read cleanly. It also works well for event flyers, album/playlist art, and playful editorial openers where a retro novelty voice is desired.

The overall tone is exuberant and retro, with a friendly weirdness that reads as groovy and slightly psychedelic. Its bouncy silhouettes and intentional imperfections suggest poster culture, novelty signage, and playful entertainment branding rather than neutral text setting.

The design appears intended to deliver maximum visual personality through thick, condensed forms and deliberate cut-in details that mimic hand-shaped lettering. Its construction prioritizes graphic texture and vibe over neutrality, aiming to evoke a vintage, groovy display feel that stands out immediately.

The dense black shapes and narrow apertures can fill in at small sizes, so the design benefits from generous sizing and breathing room. In all-caps, the irregular inner cuts and varied widths create a strong, animated texture; in mixed case, the tall, sturdy lowercase maintains that same punchy presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸