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Free for Commercial Use

Cursive Ehrob 5 is a light, very narrow, low contrast, italic, very short x-height font.

Keywords: invitations, greeting cards, quotes, branding, packaging, friendly, casual, personal, lively, relaxed, handwritten feel, quick readability, casual charm, signature style, informal display, airy, calligraphic, compact, fluid, loose joins.


Free for commercial use
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The letterforms are slender and right-leaning with a fluid, pen-drawn movement. Strokes stay mostly consistent in thickness, with only subtle swelling at curves and turns, and terminals often taper softly. Spacing is open and the shapes are simplified, mixing loosely connected cursive behavior with occasional breaks that keep words airy and light. Ascenders are tall and prominent, while lowercase bodies remain compact, reinforcing a handwritten, sketch-like elegance.

It works best for short-to-medium display text where a personal voice is desirable: invitations, greeting cards, quotes, and lifestyle branding. It can suit packaging accents, social media graphics, café or boutique signage, and headings that need a handwritten warmth. For long passages or small UI text, the narrow proportions and compact lowercase may call for larger sizes or generous tracking to maintain clarity.

This font conveys an easygoing, personal tone, like quick handwriting made presentable. The rhythm feels lively and conversational, with a friendly informality that reads as approachable rather than formal or ceremonial. Overall it suggests spontaneity and a human touch, suitable for warm, casual messaging.

The design appears intended to mimic natural, everyday cursive written with a fine pen, balancing expressiveness with legibility. Its consistent stroke and steady slant aim for a cohesive handwritten texture without heavy ornament, keeping the voice light and contemporary. The tall ascenders and flowing entry/exit strokes add personality while staying restrained enough for short text settings.

Capitals are expressive and somewhat signature-like, providing strong word-shapes at the start of names and headings. Numerals follow the same handwritten logic with simple, slightly irregular forms that match the overall rhythm. The overall texture is smooth and consistent, with enough natural variation in curves and joins to feel hand-made without looking messy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸