Cursive Famad 14 is a light, very narrow, medium contrast, italic, very short x-height font.
Keywords: branding, logotypes, packaging, invitations, editorial headers, elegant, airy, romantic, personal, fashion-forward, signature look, modern elegance, handwritten charm, display flair, monoline, looping, swashy, tall ascenders, fine terminals.
A delicate, handwritten script with a fine, pen-like stroke and subtle contrast created by pressure-like turns and joins. Letterforms are tall and slim with pronounced ascenders and descenders, a rightward slant, and compact bowls that keep the overall color light and open. Strokes often finish in tapered terminals, and many capitals introduce gentle swashes and long entry strokes, giving the alphabet a flowing rhythm. Lowercase forms are largely connected in running text, while individual glyphs retain a lively, slightly irregular hand-drawn character.
Best suited to short-to-medium text where its thin strokes and narrow forms can read cleanly—such as brand marks, product packaging accents, invitations, social posts, and editorial headlines. It pairs well with simple sans or restrained serifs for contrast, and benefits from generous size and spacing in print or high-resolution digital settings.
The font conveys a refined, intimate tone—like quick, stylish handwriting used for names, notes, or captions. Its slender proportions and graceful loops feel modern and chic while still retaining a personal, human warmth.
Likely drawn to capture the look of contemporary calligraphic handwriting: quick, fluent connections, tall proportions, and tasteful swashes that add elegance without becoming overly formal. The design emphasizes a light, fashion-oriented signature feel for display and naming applications.
Spacing and joins favor continuous movement, with some letters extending beyond their nominal width via long cross-strokes and loops, which can add flair but also requires breathing room in layout. Numerals match the script’s light touch and slanted posture, reading as handwritten figures rather than geometric lining forms.