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Free for Commercial Use

Distressed Ekmo 7 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Whitney' by Hoefler & Co., 'EquipCondensed' by Hoftype, 'Avenir Next Paneuropean' by Linotype, 'TT Norms Pro' by TypeType, and 'Grold Rounded' by Typesketchbook (names referenced only for comparison).

Keywords: posters, headlines, packaging, stickers, merch, playful, grungy, handmade, retro, comic, add texture, evoke vintage, signal handmade, boost impact, blobby, chunky, rounded, speckled, worn.


Free for commercial use
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A chunky, rounded display face with heavy, soft-shouldered strokes and irregular, hand-cut contours. The silhouettes feel slightly wobbly and organic rather than geometric, with inconsistent terminals and subtly shifting stroke edges from glyph to glyph. A distinctive speckled/eroded texture is cut into the letterforms, creating small holes and flecks throughout the counters and stems. Spacing reads open for a heavy face, and the overall rhythm is lively and uneven in a deliberate, crafted way.

Best suited for display applications where texture and character are assets: posters, event graphics, packaging, labels, stickers, and merch. It can also work for short pulls, titles, and emphasis lines in branding that wants a handmade or vintage-printed feel, especially when set with generous leading.

The texture and bouncy shapes give a playful, scrappy tone—like vintage printed ephemera, craft signage, or a stamped/inked look that’s been worn in use. It feels friendly and humorous, with a retro, DIY energy rather than polished modern neutrality.

The design appears intended to combine a bold, approachable cartoon-like structure with a deliberately worn, speckled finish, evoking imperfect printing or aged paint. Its goal is impact and personality—delivering a tactile, crafted look that stands out quickly in promotional and thematic graphics.

The distressed interior pattern is consistent across uppercase, lowercase, and numerals, helping unify the set while keeping each glyph visually active. The heavy weight and textured cutouts increase personality but also add visual noise, making the design read best at larger sizes and shorter line lengths.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸