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Sans Contrasted Mamy 1 is a regular weight, very wide, high contrast, upright, tall x-height font.

Keywords: display, headlines, logos, posters, packaging, futuristic, tech, sleek, sci‑fi, aerodynamic, modernity, tech branding, distinctiveness, display impact, rounded, streamlined, geometric, stencil-like, monolinear feel.


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A wide, rounded sans with a distinctly horizontal emphasis and smooth, capsule-like counters. Many letters use open apertures and deliberate cut-ins that create a segmented, almost stencil-like construction, producing clear stroke contrast between sturdy horizontal bands and thinner connecting strokes. Curves are generous and softened, while terminals are clean and often squared-off or subtly tapered, keeping the overall texture crisp despite the rounded geometry. The rhythm is airy and expansive, with large internal spaces and a consistent, engineered feel across caps, lowercase, and numerals.

Best suited to display settings where its wide proportions and segmented forms can read clearly—headlines, poster titles, tech branding, and logotypes. It can also work well for packaging, UI-style hero text, and short labels where a sleek, engineered voice is desired.

The tone reads futuristic and technical, with an aerodynamic, interface-oriented personality. Its segmented details and wide stance evoke sci‑fi titling, digital instrumentation, and forward-looking branding rather than traditional editorial text.

The font appears designed to project a modern, high-tech character through wide, rounded geometry and systematic cut-ins that suggest modular construction. The goal seems to balance bold presence with speed and smoothness, creating a distinctive display voice that remains clean and controlled.

The design leans heavily on horizontals, making E/F and similar forms feel especially streamlined. Rounded forms like O/Q/0 are built from elongated ovals, and the numerals share the same modular, cut-out logic, giving mixed alphanumeric strings a cohesive, product-design vibe. The distinctive constructions are attention-grabbing and may become visually dominant at smaller sizes or in dense paragraphs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸