Sans Other Obty 1 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Stallman' and 'Stallman Round' by Par Défaut (names referenced only for comparison).
Keywords: headlines, posters, logotypes, packaging, game ui, techno, industrial, retro, futuristic, gaming, display impact, tech aesthetic, stencil effect, geometric styling, geometric, angular, squared, stenciled, modular.
This typeface is built from compact, squared forms with heavy, monoline strokes and a largely geometric construction. Corners are predominantly sharp, with selective rounded outer curves on letters like C, G, O, Q, and U that keep the silhouette from feeling fully rigid. Counters and apertures tend to be rectangular and often partially closed, producing a stenciled, cut-out look in characters such as A, B, D, P, and R. The lowercase follows the same modular logic, with simplified bowls and a single-storey a and g; the numerals are similarly blocky and grid-aligned, emphasizing flat terminals and right-angled joins.
Best suited to display applications where its angular, cut-out construction can read clearly and contribute to the visual identity—headlines, posters, branding marks, and bold packaging. It can also work well for game interfaces, sci‑fi themed graphics, and event titling where a technical or industrial atmosphere is desired.
The overall tone reads as techno and industrial, with a distinctly retro-futurist flavor reminiscent of digital signage and arcade-era display lettering. Its squared geometry and notched interiors give it a mechanical, engineered presence that feels assertive and schematic rather than neutral.
The letterforms appear intended to merge a geometric sans foundation with stencil-like interior carving, creating a high-impact display face that feels both machine-made and stylized. The consistent modular detailing suggests an emphasis on distinctive texture and a strong, futuristic silhouette in short to medium text settings.
The design’s rhythm is driven by repeated rectangular negative spaces and clipped joins, which creates strong patterning in text lines. Several glyphs feature distinctive internal cut-ins and partial closures that boost personality but can also reduce openness in dense settings, making it especially striking at larger sizes.