Sans Faceted Aska 3 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Hudson NY Pro' by Arkitype, 'Adhesive Letters JNL' and 'Eckhardt Poster Display JNL' by Jeff Levine, 'Hemispheres' by Runsell Type, 'Nulato' by Stefan Stoychev, 'Hockeynight Sans' by XTOPH, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, apparel, packaging, sporty, industrial, retro, commanding, tough, impact, ruggedness, signage, athletics, branding, beveled, angular, octagonal, blocky, compact.
A heavy, block-built sans with sharply chamfered corners and faceted, near-octagonal counters that replace smooth curves. Strokes are consistently thick with mostly straight segments and abrupt joins, creating a crisp, mechanical texture. Proportions are compact with broad capitals and sturdy lowercase forms; round letters (O, C, G) read as cut facets rather than bowls. Numerals echo the same chiseled geometry, giving the set a uniform, hard-edged rhythm in display sizes.
Best suited for large-format display work such as headlines, posters, sports and event branding, apparel graphics, and bold packaging where the faceted silhouettes can read clearly. It can also work for short labels, badges, and scoreboard-style numbers, but extended small text may feel heavy and cramped due to the tight counters.
The overall tone is bold and assertive, with a rugged, utilitarian feel reminiscent of athletic lettering and industrial stenciled forms (without literal stencil breaks). Its sharp facets and dense color suggest strength, impact, and a no-nonsense attitude, leaning slightly retro due to the octagonal, sign-like construction.
The design appears intended to deliver maximum impact through a simplified, faceted construction that stays consistent across uppercase, lowercase, and numerals. By trading curves for chamfered planes, it aims for a tough, engineered look that holds up in logo-like settings and high-contrast applications.
Diagonal cuts appear repeatedly at terminals and corners, producing a consistent beveled silhouette across the alphabet. The face maintains strong presence in headlines, while the tight interior spaces in letters like B, P, and e can make it feel dense at smaller sizes.