Sans Superellipse Wory 1 is a very bold, very wide, medium contrast, upright, tall x-height font.
Keywords: headlines, posters, gaming ui, tech branding, logotypes, futuristic, tech, industrial, sci‑fi, sporty, display impact, futuristic feel, geometric uniformity, interface styling, brand distinctiveness, squared, rounded corners, stencil cuts, modular, compact apertures.
A heavy, squared sans built from rounded-rectangle forms with softened corners and flat terminals. Strokes are broad and fairly uniform, with counters and apertures tightened into rectangular openings that often appear as horizontal slits. Many glyphs include deliberate internal cuts and segmented joins, creating a modular, almost stencil-like construction while keeping the overall silhouette clean and geometric. The lowercase follows the same blocky logic with a tall x-height and compact bowls, and the numerals echo the squared geometry with dense, tightly enclosed counters.
Best suited to display settings where impact matters—headlines, posters, packaging callouts, esports and gaming UI, and tech-oriented branding. It also works well for logotypes and wordmarks that benefit from a compact, geometric, sci‑fi voice, especially at larger sizes where the internal cuts remain clear.
The overall tone feels futuristic and engineered, evoking digital hardware, sci‑fi interfaces, and motorsport graphics. Its clipped openings and chunky proportions read assertive and high-impact, with an intentionally synthetic, machine-made character.
The design appears intended to deliver a bold, modern display sans that merges superelliptical geometry with subtle stencil-like segmentation. Its construction prioritizes a futuristic, industrial aesthetic and strong silhouette recognition for branding and interface-style typography.
Because many counters are narrow and some letters rely on small internal breaks for differentiation, the design emphasizes shape and rhythm over traditional readability at small sizes. The wide, low-detail strokes create strong word shapes in short headlines, while extended passages can feel dense due to the tight internal spaces.