Print Tavy 3 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Artegra Sans' and 'Artegra Soft' by Artegra, 'Grupi Sans' by Dikas Studio, 'Trade Gothic Display' by Monotype, and 'Banana Bread Font' by TypoGraphicDesign (names referenced only for comparison).
Keywords: posters, headlines, packaging, children’s, stickers, playful, friendly, whimsical, bold, approachable, hand-drawn feel, playful branding, friendly display, youthful tone, rounded, bubbly, soft terminals, chunky, casual.
A heavy, rounded print face with softly bulging strokes and fully curved terminals that give letters a pillowy silhouette. The drawing is monoline in feel, with subtle irregularities and slight wobble in verticals and curves that reinforce a hand-drawn construction. Counters are generally small and rounded, apertures tend to be tight, and joins are blunt rather than sharp, creating compact, inked-in shapes that hold together at display sizes. Spacing is moderately open for such dense forms, keeping lines readable while maintaining a chunky, cohesive texture.
Best suited to short, high-impact text such as posters, titles, playful branding, packaging, and children’s materials where a friendly voice is needed. It also works well for labels, social graphics, and sticker-style typography, especially when set with generous leading and a bit of extra tracking to help counters and tight apertures breathe.
The overall tone is cheerful and informal, with a kid-friendly, snackable energy that feels like marker lettering or bold classroom signage. Its soft corners and bouncy rhythm suggest warmth and humor rather than precision or authority.
The design appears intended to emulate bold hand-lettered print in a clean, repeatable font form, emphasizing friendliness, softness, and immediate legibility at display sizes. The consistent rounded terminals and slightly irregular stroke behavior aim to keep the texture lively and human while still functioning as a sturdy headline face.
The numerals match the same inflated geometry, with simplified, highly rounded forms that prioritize impact over fine differentiation. Uppercase and lowercase share a consistent softness, and the face maintains a steady, poster-like presence across longer sample text, forming an even, dark typographic color.