Print Dygar 7 is a light, very narrow, medium contrast, italic, very short x-height font.
Keywords: notes, packaging, greeting cards, social posts, quotes, casual, airy, playful, personal, lively, handwritten clarity, casual tone, everyday friendliness, quick pen feel, light expressiveness, monoline, gestural, slanted, loopy, open counters.
A casual handwritten print with a consistent rightward slant and a light, pen-like stroke. Forms are narrow and upright in their overall construction, with simple, open bowls and gently rounded terminals that often taper slightly, suggesting quick, continuous hand movement. Capitals are taller and more expressive than the lowercase, with occasional looped or hooked entries, while the lowercase stays compact with a notably low x-height and long, wiry ascenders and descenders. Spacing is uneven in a natural way, and character widths vary subtly, reinforcing an informal, handwritten rhythm. Numerals follow the same spare, linear construction and sit comfortably with the letters.
Well suited to short-to-medium text where an informal, personal voice is helpful—notes, invitations, greeting cards, journaling-style layouts, casual packaging, and social graphics. It also works nicely for quotes, captions, and headings where a light handwritten texture is desired without full cursive connections.
The font reads as friendly and unpretentious, like neat handwriting meant to stay legible while still feeling human. Its narrow, slanted rhythm gives it a brisk, conversational tone, while the occasional loops and sweeping strokes add a light touch of charm and spontaneity.
The design appears intended to capture a quick, tidy handwritten print: narrow, slanted, and lightly expressive, balancing legibility with an unmistakably human cadence. It aims for an approachable everyday tone rather than decorative flourish, using small variations in width, loops, and terminal shapes to keep the line lively.
Stroke modulation is minimal but visible at curves and terminals, creating a slightly calligraphic feel without becoming formal script. Many joins and intersections look like single-pass pen motions, and the overall texture stays clean and uncluttered, helping the face remain readable at modest sizes.