Sans Faceted Mihi 8 is a bold, normal width, monoline, upright, normal x-height, monospaced font visually similar to 'Proto Mono' by ATK Studio, 'Iverse Mono' by Minor Praxis, and 'Archimoto V01' by Owl king project (names referenced only for comparison).
Keywords: headlines, posters, logos, ui labels, packaging, industrial, tech, arcade, utilitarian, retro, systematic geometry, high impact, grid alignment, digital aesthetic, octagonal, angular, chamfered, modular, geometric.
This typeface is built from straight strokes and clipped corners, replacing curves with crisp planar facets that create octagonal counters and terminals. Strokes are consistently heavy with a monoline feel, producing a blocky, high-contrast silhouette against the page without internal stroke modulation. Proportions are compact and square-leaning, with rectangular bowls and sharply notched joins that keep forms rigid and mechanical. The overall rhythm is regular and grid-like, emphasizing even spacing and uniform character footprints across uppercase, lowercase, and numerals.
Best suited for short-form settings such as headlines, posters, logotypes, and product or packaging titles where its angular personality can lead the composition. It also works well for interface labels, signage, and schematic-style graphics that benefit from a rigid, modular texture and strong, high-impact forms.
The faceted construction and squared-off geometry convey a technical, industrial tone with a distinctly retro-digital edge. It reads as purposeful and no-nonsense, evoking arcade-era display lettering and utilitarian labeling where clarity and impact matter more than softness or warmth.
The design appears intended to translate rounded forms into a consistent chamfered system, yielding a tough, machine-made aesthetic that remains highly structured and easy to align in grids. Its emphasis on uniform geometry suggests a focus on systematized lettering for bold, graphic communication.
Counters tend to be polygonal and tightly enclosed, giving letters a dense, stamped appearance at text sizes. Diagonals and chamfers are used consistently to suggest roundness while maintaining a strict rectilinear system, which helps keep the design cohesive across letters and figures.