Sans Superellipse Poraz 6 is a bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Akzidenz-Grotesk' by Berthold, 'Dharma Gothic' and 'Dharma Gothic Rounded' by Dharma Type, 'Tungsten' by Hoefler & Co., 'Parkson' by Rook Supply, and 'Koroleva Umka' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, assertive, industrial, editorial, efficient, modern, space-saving, high-impact, clarity, headline focus, signage-ready, condensed, compact, sturdy, blunt terminals, rounded corners.
The design is tightly condensed with tall proportions and a compact, vertical rhythm. Strokes are sturdy and even, with rounded-rectangle shaping in bowls and counters that keeps curves controlled rather than soft. Terminals are mostly blunt and squared-off, and curves transition into straights with a crisp, structured feel, producing a clean silhouette in both uppercase and lowercase. The texture in text is dense and uniform, prioritizing strong vertical presence over airy spacing.
Well-suited to headlines, posters, packaging, and brand wordmarks that need a tall, compact footprint. It can work effectively for signage, labels, and interface headers where vertical emphasis and tight set widths are helpful. For longer passages, it is best used in short bursts—subheads, pull quotes, and captions—where its dense texture supports emphasis without overwhelming the page.
This typeface projects a condensed, assertive voice with a pragmatic, no-nonsense tone. Its tall, compact rhythm feels efficient and attention-grabbing, leaning toward contemporary industrial and editorial energy rather than friendly informality. The overall impression is controlled and disciplined, with a slightly engineered, utilitarian character.
The letterforms appear designed to maximize impact in narrow widths while maintaining clear, simple shapes. The restrained rounding and squared terminals suggest an intention to balance mechanical precision with enough curvature to avoid harshness. Overall, it aims for strong presence and quick recognition in dense settings.
Uppercase forms read especially strong and architectural, while the lowercase maintains the same compact logic for a consistent mixed-case color. Numerals follow the same tall, condensed stance, pairing cleanly with text for display-driven layouts.