Sans Faceted Abbib 2 is a bold, normal width, low contrast, upright, tall x-height font visually similar to 'Febrotesk 4F' by 4th february, 'Isotonic' by Emtype Foundry, 'EFCO Fairley' by Ephemera Fonts, and 'Aspire Narrow' by Grype (names referenced only for comparison).
Keywords: headlines, posters, logotypes, sportswear, game ui, industrial, techno, arcade, athletic, tactical, impact, signage, futurism, sport branding, game aesthetic, angular, faceted, octagonal, blocky, compact counters.
A heavy, angular sans with planar cut-ins that replace curves with chamfered corners and octagonal bowls. Strokes are consistently thick and largely monolinear, producing strong, high-ink silhouettes with tight interior counters. Uppercase forms read wide and stable with flat terminals and squared geometry, while lowercase keeps a tall, sturdy structure with minimal modulation and simplified joints. The numerals follow the same faceted construction, emphasizing straight segments and clipped corners for a uniform, mechanical rhythm.
Best suited to display settings where impact and a hard-edged aesthetic are desired: headlines, posters, packaging, esports or sports-themed graphics, logotypes, and UI labels in games or tech interfaces. It can work in short bursts of text for stylized branding, but is most effective when set large with generous spacing.
The overall tone is assertive and functional, with a rugged, engineered feel that suggests equipment labeling, sports numbering, and tech-forward display design. Its sharp facets and compressed apertures create a no-nonsense, high-impact voice that leans futuristic and game-like rather than friendly or literary.
The font appears designed to translate a geometric, cut-metal look into a cohesive alphabet, prioritizing strong silhouettes and consistent faceting over smooth curvature. Its construction suggests an intention to evoke industrial signage and athletic or arcade influences while maintaining a straightforward sans framework for broad display utility.
Because many letters share similar angular bowls and clipped corners, the design relies on silhouette differences (not interior detail) for recognition; this supports punchy headlines but can reduce clarity at small sizes. The punctuation shown (e.g., apostrophe, question mark) matches the squared, cut-corner logic, keeping a consistent texture across text lines.