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Free for Commercial Use

Sans Superellipse Erva 1 is a bold, wide, low contrast, italic, tall x-height font visually similar to 'Black Square' by Agny Hasya Studio, 'Barakat' by Denustudio, 'RBNo3.1' by René Bieder, and 'Hyperspace Race' by Swell Type (names referenced only for comparison).

Keywords: sports branding, racing graphics, headlines, posters, packaging, futuristic, athletic, tech, dynamic, confident, convey speed, signal modernity, maximize impact, project strength, oblique, rounded, squared-off, streamlined, geometric.


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A slanted, geometric sans with rounded-rectangle construction throughout. Strokes are heavy and largely monolinear, with softened corners and squared counters that create a superelliptical feel in letters like O, D, and Q. Terminals are clean and often horizontally cut, while diagonals (A, K, V, W, X, Y) are crisp and structural, giving the face a fast, engineered rhythm. The lowercase keeps a large, open x-height with compact ascenders/descenders, and the numerals match the same rounded-square geometry for consistent texture across lines.

This font works best where impact and motion are desirable: sports identities, racing or automotive graphics, tech-forward branding, and bold headlines on posters or packaging. Its sturdy shapes and large interior spaces help it stay legible in short bursts of text, especially in titles, labels, and signage-style applications.

The overall tone is sporty and forward-leaning, suggesting speed, performance, and modern machinery. Its rounded corners soften the aggression of the slant, balancing a high-energy presence with a polished, contemporary finish.

The design appears intended to merge geometric clarity with a sense of speed, using an oblique stance and rounded-rectangular letterforms to evoke modern performance and product design. Its consistent, engineered shapes prioritize punchy readability and a cohesive, contemporary voice.

Round forms lean toward squared bowls and counters rather than true circles, reinforcing a technical, fabricated look. The italic angle is consistent across caps, lowercase, and figures, and the bold weight produces strong silhouette recognition at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸