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Free for Commercial Use

Sans Superellipse Gigir 4 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Outlast' by BoxTube Labs, 'Mexiland' by Grezline Studio, 'Mercurial' by Grype, 'Retrofunk' by Hendra Pratama, 'Obvia Narrow' by Typefolio, and 'Octin College' by Typodermic (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, logotypes, industrial, techy, confident, utility, modern, impact, clarity, modernity, geometric branding, sign system, rounded, squared, compact, blocky, high contrast.


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A heavy, compact sans with rounded-rectangle construction and broadly squared curves. Strokes are consistently thick with minimal modulation, and joins are crisp, producing a sturdy, engineered silhouette. Counters are relatively tight and often rectangular or superelliptical, while terminals tend to be flat and blunt. The overall rhythm is dense and uniform, with simplified forms that emphasize legibility through strong silhouette rather than interior detail.

Best suited to short, high-impact settings such as headlines, posters, bold branding marks, packaging callouts, and wayfinding or labeling where durability and clarity at larger sizes are key. It can also work for UI headers or badges when a strong, geometric presence is desired.

The font reads as industrial and contemporary, with a no-nonsense, equipment-label directness. Its rounded-square geometry adds a friendly softness to an otherwise robust, mechanical tone, making it feel both technical and approachable.

The design appears intended to deliver maximum visual punch with a clean, geometric voice, using rounded-square anatomy to balance toughness with approachability. It prioritizes strong silhouettes, compact fit, and consistent stroke weight for clear recognition in display contexts.

Uppercase shapes favor geometric reduction (notably in the rounded-square bowls and the squared-off curves), while lowercase maintains similarly compact proportions and strong verticals. Numerals are equally bold and blocklike, suited to prominent display where quick recognition matters. Spacing in the sample text appears tight and efficient, reinforcing the condensed, sign-like texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸