Sans Superellipse Oggup 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Gainsborough' by Fenotype, 'NT Gagarin' by Novo Typo, 'Hemispheres' by Runsell Type, 'Gemsbuck Pro' by Studio Fat Cat, 'Radley' by Variatype, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, signage, logos, packaging, confident, industrial, retro, sturdy, friendly, impact, clarity, solidity, branding, blocky, chunky, rounded corners, softened geometry, square counters.
Letters are built from thick, uniform strokes with minimal contrast and generously rounded corners, creating a rounded-rectangle (superellipse) silhouette throughout. Counters are mostly rectangular and tight, and terminals tend to be blunt, reinforcing a blocky, machined rhythm. The lowercase is compact with short apertures and simple constructions, while the uppercase maintains broad, squared forms; numerals follow the same squarish, softened geometry for a highly consistent set.
It performs best in display roles such as headlines, posters, packaging, badges, and logo wordmarks where its dense shapes can create a strong visual anchor. The uniform, softened block forms also suit signage and wayfinding-style applications, as well as sport/tech or industrial-flavored branding systems. It is less suited to long-form text at small sizes due to tight counters and compact apertures.
This typeface feels confident and workmanlike, with a compact, engineered tone. Its chunky, softened geometry gives it an approachable, slightly retro-industrial voice that reads as sturdy rather than delicate. The overall impression is punchy and assertive, suited to messages that need to land quickly.
The design appears intended to deliver maximum impact and legibility through heavy, simplified shapes and consistent rounded-square geometry. By keeping details minimal and corners softened, it aims to feel both robust and approachable, holding together well in large, bold settings where a strong typographic presence is needed.
The rhythm is notably square and compact, with rounded corners preventing the forms from feeling harsh. In the sample text, the heavy color produces strong line presence and consistent texture, while the tight interior spaces make spacing and size choices important for best clarity.