Sans Superellipse Rekot 15 is a light, narrow, low contrast, upright, tall x-height font visually similar to 'Jane Roe' and 'Octagen Condensed' by deFharo (names referenced only for comparison).
Keywords: ui text, signage, data display, packaging, headlines, clean, modern, neutral, technical, efficient, space efficiency, clarity, modern utility, systematic geometry, condensed, monolinear, rounded, open apertures, tight spacing.
This typeface is a slim, monolinear sans with compact proportions and a distinctly rounded-rectangle construction in its curves. Rounds like C, O, and Q read as squarish superellipses, while straight strokes stay clean and even, producing a steady vertical rhythm. Terminals are smooth and minimally treated, joins are controlled, and counters remain open enough to keep letters like e, a, and s clear at text sizes. Figures follow the same streamlined logic, with simple, legible forms and consistent stroke weight across the set.
It performs well in UI and app typography, navigation, labels, and other space-constrained settings where compact letterforms and a clean texture help maintain clarity. The streamlined shapes also suit wayfinding and informational graphics, and it can work for concise headlines or product/tech packaging where a crisp, contemporary voice is needed.
The overall tone is contemporary and restrained, with a practical, no-nonsense feel. Its rounded geometry softens the voice slightly, keeping it approachable while still reading as systematic and organized—well suited to interfaces, information design, and modern branding that aims for clarity over personality.
The design appears aimed at a compact, highly legible sans built from rounded-rectangular geometry, balancing efficiency with a slightly softened, friendly edge. Its consistent stroke and controlled shapes suggest an intention to deliver predictable rhythm and readability in functional, modern applications.
The narrow set width and consistent stroke make lines of text look tidy and efficient, with an even texture in paragraphs. The superelliptical rounds give the face a distinctive signature compared with purely circular grotesks, helping it feel modern without relying on decorative features.