Sans Normal Uhled 2 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'FF Sero' by FontFont, 'Moveo Sans' by Green Type, 'Famiar' by Mans Greback, 'Belle Sans' by Park Street Studio, and 'Juhl' and 'NuOrder' by The Northern Block (names referenced only for comparison).
Keywords: branding, headlines, ui labels, signage, posters, modern, neutral, clean, technical, confident, clarity, modernity, versatility, systematic design, brand utility, geometric, rational, even, crisp, sturdy.
A sturdy, geometric sans with clear, circular bowls and smooth, continuous curves paired with straight-sided stems. Stroke endings are clean and mostly square, with only subtle rounding from the curves, creating a crisp, contemporary texture. Proportions feel balanced and systematic: counters are open, curves are broadly drawn, and joins stay tidy without fussy detailing. The numeral set matches the letters with simple, legible forms and consistent weight distribution.
This font is well suited to branding and headline work where a clean, contemporary impression is needed, as well as UI labels and product interfaces that benefit from firm, high-contrast letterforms. Its clarity and uniformity also make it a solid choice for signage and short-form editorial display text.
The overall tone is modern and matter-of-fact, with a calm, dependable voice that reads as professional rather than expressive. Its geometric construction lends a slightly technical, engineered feel, while the even rhythm keeps it approachable in everyday interface and brand contexts.
The design appears intended to provide a straightforward, modern sans built on geometric primitives, prioritizing clarity, consistency, and a confident presence. It aims for versatility across display and practical communication, delivering a neutral foundation without ornamental cues.
The sample text shows a dense, even typographic color with stable spacing and strong word shapes, holding up well at larger display sizes while remaining readable in continuous reading. Circular letters like O, Q, and G emphasize the font’s rounded geometry, and the diagonals in V/W/X/Y maintain a consistent, assertive presence.