Sans Superellipse Takus 2 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Adversary BB' by Blambot, 'Ft Thyson' by Fateh.Lab, 'Necia' by Graviton, 'Nulato' by Stefan Stoychev, 'Gemsbuck Pro' by Studio Fat Cat, 'Hockeynight Sans' by XTOPH, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, sports branding, industrial, utilitarian, assertive, mechanical, compact, space saving, high impact, stencil-free ruggedness, modern industrial, condensed, rounded corners, squared curves, blocky, monoline.
This typeface is a compact, condensed sans with heavy, even strokes and minimal contrast. Curves resolve into squared, superellipse-like forms with rounded corners, giving bowls and counters a rounded-rectangle geometry. Apertures tend to be tight and counters relatively small for the weight, producing a dense, high-impact texture in text. Terminals are predominantly straight and blunt, with crisp joins and simplified letter construction; diagonals are sturdy and angular, and the overall rhythm stays consistent across uppercase, lowercase, and numerals.
It performs best in display settings where compact width and strong color are assets, such as headlines, posters, packaging, labels, and wayfinding or industrial signage. The dense construction can also work for short UI labels or badges when space is constrained, especially at larger sizes.
The overall tone is functional and forceful, with a no-nonsense, industrial voice. Its squared-round shapes feel mechanical and engineered, projecting toughness and efficiency rather than softness or elegance.
The design appears intended to deliver maximum impact in minimal horizontal space, pairing condensed proportions with squared, rounded geometry for a contemporary industrial look. It prioritizes bold clarity and uniform rhythm, aiming for fast recognition and a robust, engineered feel in branding and display typography.
Distinctive rounded-rectangular bowls show up across characters like O/Q and the lowercase a/e, while the condensed proportions keep words compact and space-efficient. The numerals and capitals read as sturdy and sign-like, and the punctuation and spacing shown in the sample support a tight, poster-oriented color.