Sans Superellipse Agray 3 is a regular weight, narrow, low contrast, upright, normal x-height font visually similar to 'Quota' by Ryan Williamson (names referenced only for comparison).
Keywords: branding, posters, headlines, ui labels, signage, techy, retro-futurist, industrial, clean, geometric, geometric clarity, system aesthetic, space saving, contemporary display, rounded corners, rectilinear, condensed, monoline, squared bowls.
A condensed geometric sans with monoline strokes and a distinctly superelliptical construction: round shapes resolve into rounded-rectangle bowls and terminals. Curves are controlled and slightly squared, giving letters like O, C, and D a boxy, softened profile. Stems are straight and vertical, joins are clean, and counters tend to be compact; the overall rhythm is tight and evenly spaced. Terminals are typically blunt with generous corner radii, and the figures follow the same rounded-rectilinear logic for a cohesive alphanumeric set.
Best suited for display-oriented work where its compact width and geometric character can be appreciated: headlines, posters, logotypes, packaging, and wayfinding. It also fits UI labels and dashboards where a clean, engineered feel is desired, particularly at medium-to-large sizes.
The font reads as modern and engineered, with a subtle retro-futurist flavor reminiscent of signage, interfaces, and industrial labeling. Its softened corners keep it friendly, while the narrow, disciplined geometry maintains a technical, utilitarian tone.
Likely designed to deliver a contemporary geometric voice with a signature rounded-rectangle motif, balancing clarity with a distinctive, system-like personality. The aim appears to be a consistent, modular look across letters and numbers that feels precise without becoming harsh.
Distinctive rounded-rectangular detailing shows up consistently across caps, lowercase, and numerals, producing a unified “soft box” silhouette. The condensed proportions emphasize verticality, and the simplified forms keep the texture even in longer lines of text, especially at larger sizes.