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Sans Faceted Lyka 7 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Stereohead' by Stationjack and 'Bananku' and 'Neisson' by Umka Type (names referenced only for comparison).

Keywords: headlines, logotypes, posters, gaming ui, sci‑fi ui, tech, arcade, industrial, futuristic, tactical, beveled geometry, tech display, rugged clarity, retro digital, angular, chamfered, octagonal, geometric, blocky.


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A heavy, geometric sans built from straight strokes and clipped corners, replacing curves with crisp planar facets. Terminals are consistently chamfered, creating octagonal counters in rounded letters and a machined, modular silhouette across the set. Stroke thickness is even and dense, with tight apertures and squared interior spaces that emphasize a sturdy, monoline construction. Proportions are compact with a slightly condensed feel in many glyphs, while spacing and alignment stay orderly and grid-like, reinforcing the typeface’s engineered rhythm.

This font is best suited to short to medium-length display settings where its faceted construction can be appreciated—headlines, titles, branding marks, packaging callouts, and signage-style graphics. It also fits interface motifs for games or speculative/technical themes, especially for labels, menus, and on-screen headings where a strong, angular voice is desired.

The overall tone reads modern and utilitarian, with a retro-digital edge reminiscent of arcade, sci‑fi interface, and industrial labeling aesthetics. Its sharp facets and rigid geometry convey precision, strength, and a controlled, technical personality.

The design appears intended to translate a geometric, beveled sign-making language into a consistent alphabet, prioritizing a rugged, machine-cut impression over softness or calligraphic nuance. By standardizing chamfered corners and polygonal counters, it aims to deliver a distinctive, high-impact display texture that feels precise and engineered.

Distinctive chamfers on corners and joins create strong diagonal accents, giving the face a “cut metal” look even at smaller sizes. The numerals and capitals share a consistent polygonal logic, helping mixed-case settings maintain a coherent, mechanical texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸