Inline Jeme 2 is a bold, wide, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, signage, packaging, art deco, retro, neon, showcard, playful, attention grabbing, retro branding, signage look, decorative display, outlined, geometric, monoline inline, high-clarity, graphic.
A geometric display face built from heavy strokes with a consistent inline channel that creates a hollowed, double-struck effect. The forms are mostly monoline in construction with rounded bowls and clean, low-detail joins, producing crisp counters and strong silhouette clarity. Capitals skew broad and stable, with simplified curves in C/G/O/Q and compact, sturdy terminals throughout. Lowercase keeps a straightforward, single-storey approach where applicable, with a round i/j dot and minimal modulation; figures echo the same inline logic and rounded geometry.
Best suited to display settings such as posters, event titles, storefront-style signage, packaging callouts, and logo wordmarks where the inline detail can be appreciated. It also works well for short phrases, badges, and retro-themed branding systems that want a bold, graphic presence.
The inline carving reads like illuminated tubing or sign-paint striping, giving the font a lively, vintage-showpiece energy. It feels optimistic and theatrical, with a hint of mid-century and Art Deco influence that suits attention-grabbing headlines rather than quiet text.
The design appears intended to deliver a bold, decorative voice by combining sturdy geometric letterforms with a consistent inline cut that suggests dimensionality and lit signage. The goal is immediate visibility and stylistic flavor rather than neutral readability in long passages.
The persistent inner line creates strong internal rhythm and makes even simple shapes (like E, I, L, T) feel ornamental. Curved letters and numerals show the most character, where the inline track emphasizes motion and depth; at smaller sizes the inline detail may visually merge, so it benefits from generous sizing and spacing.